Color, Curves, and Classic Cool: A Look Back at Watches & Wonders 2025
From retro gems to joyful color, here’s what really stayed with me.
It’s been a couple weeks since Watches and Wonders wrapped—and yes, I’m still editing content (don’t judge!). Booth-hopping by day, soirées by night, and maybe three hours of sleep in between—safe to say, I was running on fumes. But now the dust has finally settled, I’ve had a moment to reflect on what really excited me about this year’s releases. And to everyone who’s been watching, sharing, or quietly cheering me on—thank you. Now, let’s dig into the good stuff:
Retro, Reworked
If one theme ruled the show this year, it was this: retro is thriving. We’ve seen the nostalgia wave gaining momentum (hello, Kith x Heuer), but this was different. It wasn’t just reissues or straight archive pulls - it was about reinterpretation. Brands are clearly asking, “How can we bring the soul of this piece into the now?” And the results? Chef’s kiss.
Rolex and Piaget both leaned into heritage, and did it beautifully. The new Rolex Land Dweller subtly nods to vintage DNA but brings something fresh—a big move for a brand that’s famously measured with change. This is Rolex’s second all-new model in over a decade, which is kind of a big deal. Also worth a shout: Rolex gave the 1908 its moment with a delicious gold bracelet. A well-deserved glow-up. Absolutely stunning, darling!
Then there was the Piaget Sixtie, inspired by the elegance of the 1960s. As Piaget says, “a watch is first and foremost a piece of jewelry,” and they fully delivered. The sculptural trapeze shape brings a sense of refined glamour—with just the right amount of panache. Sure, pricing for both sits firmly in the aspirational zone for most, but it was such a treat to see pieces that feel equal parts timeless and fresh.
A Spectrum of Color
This year’s Watches and Wonders was bursting with color—and honestly, I was here for all of it. The mood was playful, inclusive, and refreshing. I got hands-on with the Parmigiani Fleurier Toric Quantième Perpétuel, the Nomos Club Sport Neomatik Worldtimer, and the H. Moser & Cie. Pop collection—all totally different, all joyful in design and spirit. Even more accessible brands like Oris brought the energy, with a colorful new take on their Big Crown Pointer Date. It was a pastel-laced reminder that sophistication and personality aren’t mutually exclusive.
The Hublot Big Bang One Click Joyful also brought bold color and big energy—celebrating 20 years of the Big Bang. Overall it was clear that the industry’s clearly leaning into joy this year—and it suits them.
Redefining Femininity
What really struck me was how brands are rethinking femininity in watchmaking—with purpose, play, and a dash of drama. The Hermès Maillon Libre brooch watch for example? One of the most talked-about pieces at the show. A sculptural, transformable design that doubles as jewelry. It hits all the marks: form, function and fashion. I’m excited to see how the girlies style it!
Chanel’s Toi et Moi ring watch was another standout. Very Chanel. Elegant, mysterious, and a little over-the-top. I actually was surprised I didn’t see more ring watches out and about, but hey... you can’t have everything!
Also refreshing? The shift toward size inclusivity. Rolex’s new Oyster Perpetuals in 28mm and 36mm struck that sweet spot of sleek and everyday, while Cartier’s updated Santos sizing nailed the bold-but-versatile feel. I was also obsessed with the IWC Ingenieur 35 and the A. Lange & Söhne 1815—proof that range is a strength, not a compromise.
Sparkles, color, curves, strong silhouettes—it was all there, and it felt deliberately done. This year, femininity wasn’t just about shrinking down. It was about expanding choice. And that, to me, is the most exciting shift of all.
That’s it from me for now—curious to hear what stood out to you. Until next time!